Eugène Delacroix - translation to french
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Eugène Delacroix - translation to french

FRENCH PAINTER (1798-1863)
Eugene Delacroix; Ferdinand Victor Eugen Delacroix; Eugène Ferdinand Victor Delacroix; Ferdinand-Victor-Eugène Delacroix; Delacroix, Ferdinand-Victor-Eugène; Ferdinand Victor Eugène Delacroix; Delacroix, Ferdinand Victor Eugène; Ferdinand Delacroix; Eugene de la Croix; Delacroix, Ferdinand-Victor-Eugene; Delacroix, Ferdinand Victor Eugene; Ferdinand Victor Eugene Delacroix; Ferdinand-Victor-Eugene Delacroix; Eugene Ferdinand Victor Delacroix; Ferdinand-Victor Eugene Delacroix; Ferdinand-Eugène-Victor Delacroix
  • ''[[The Barque of Dante]]'' (1822), [[Louvre]]
  • 237x237px
  • ''Christ on the [[Sea of Galilee]]'', 1854
  • ''[[Convulsionists of Tangiers]]'' (1838), [[Minneapolis Institute of Art]]
  • ''[[The Death of Sardanapalus]]'' (1827), [[Philadelphia Museum of Art]]
  • ''[[Medea]] about to Kill Her Children'', 1838

Eugène Delacroix         
Eugene Delacroix (1798-1863), French Romantic painter and lithographer, creator of "The Bark of Dante" and "Women of Algiers"
Delacroix         
Delacroix, family name; Eugene Delacroix (1798-1863), French Romantic painter and lithographer, creator of "The Bark of Dante" and "Women of Algiers"

Definition

Eugeny
·- Nobleness of birth.

Wikipedia

Eugène Delacroix

Ferdinand Victor Eugène Delacroix ( DEL-ə-krwah, -⁠KRWAH, French: [øʒɛn dəlakʁwa]; 26 April 1798 – 13 August 1863) was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school.

In contrast to the Neoclassical perfectionism of his chief rival Ingres, Delacroix took for his inspiration the art of Rubens and painters of the Venetian Renaissance, with an attendant emphasis on colour and movement rather than clarity of outline and carefully modelled form. Dramatic and romantic content characterized the central themes of his maturity, and led him not to the classical models of Greek and Roman art, but to travel in North Africa, in search of the exotic. Friend and spiritual heir to Théodore Géricault, Delacroix was also inspired by Lord Byron, with whom he shared a strong identification with the "forces of the sublime", of nature in often violent action.

However, Delacroix was given to neither sentimentality nor bombast, and his Romanticism was that of an individualist. In the words of Baudelaire, "Delacroix was passionately in love with passion, but coldly determined to express passion as clearly as possible." Together with Ingres, Delacroix is considered one of the last old Masters of painting and is one of the few who was ever photographed.

As a painter and muralist, Delacroix's use of expressive brushstrokes and his study of the optical effects of colour profoundly shaped the work of the Impressionists, while his passion for the exotic inspired the artists of the Symbolist movement. A fine lithographer, Delacroix illustrated various works of William Shakespeare, the Scottish author Walter Scott, and the German author Johann Wolfgang von Goethe.